Suche in IZI-Datenbank.de
Ergebnisse:
Seelmann-Eggebert, Adele: Diversitaet im internationalen Vergleich: von Ghana bis Tokio. Im Gespraech bei der TV-Konferenz „INPUT 2022 Barcelona“. [2023]
Wayne, Michael L.: Uribe Sandoval, Ana C.: Netflix original series, global audiences and discourses of streaming success. [2023]
Schramm, Holger: Mayer, Fabian: Wandel der Musikprogrammierung im Radio? Stand und Stellenwert der musikbezogenen Marktforschung bei deutschen Radiosendern 2021. [2023]
Himma-Kadakas, Marju: Tenor, Carina: Children and adolescents as news sources: research brief on voice and agency of minors in Swedish and Estonian journalistic regulative documents [2023]
Prommer, Elizabeth: Loist, Skadi: Filmindustrie: Branchenkultur mit Gender Bias. [2023]
Roeben, Baerbel: Migrantinnen in der Medienproduktion. [2023]
van Wichelen, Thalia: Dhoest, Alexander: Ticking off the (pink) diversity box? Production views on LGBT+ in children's fiction. [2023]
Baranowski, Genia: Speaking the truth without instilling fear. War in Ukraine: Perspectives and approaches to offerings in German children’s media. [2023]
Parry, Becky: Exploring cultural and social differences in defining films for children. [2022]
Sakr, Naomi: Steemers, Jeanette: Children’s documentaries: distance and ethics in European storytelling about the wider world. [2022]
Sadrozinski, Joerg: JMS - Journalismus macht Schule. Nachrichtenkompetenz lehren, Medienkompetenz lernen. [2022]
Freiwillige Selbstkontrolle Multimedia-Diensteanbieter (FSM), Berlin: Meinungsbildung zwischen Fakt und Fake. Vom Umgang mit Desinformation im digitalen Raum. [2022]
Newman, Nic: How publishers are learning to create and distribute news on TikTok. [2022]
Sundet, Vilde Schanke: Lueders, Marika: "Young people are on YouTube": industry notions on straming and youth as a new media generation. [2022]
Krtalic, Iva: Simon, Erk: Regionale Informationen und Menschen mit Einwanderungsgeschichte. Erwartungen, Nutzung und qualitative Kriterien am Beispiel des WDR. [2022]
Cover, Rob: Making queer content visible: Approaches and assumptions of Australian film and television stakeholders working with LGBTQ+ content. [2022]
Willems, Wendy: Beyond platform-centrism and digital universalism: the relational affordances of mobile social media publics. [2021]
Potter, Anna: Globalising the local in children's television for the post-network era: How Disney+ and BBC studios helped Bluey the Australian cattle dog jump the national fence. [2021]
Zeng, Wenna: Chan, Kara: Heroism as narrative strategy: Children's animation and modernity in Chinese TV. [2021]
Reza, S. M. Shameem: Haque, Ashfara: Revisting children's participation in television. Implications for digital media rights in Bangladesh. [2021]
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