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Ergebnisse:
Summers, Sam: Intertextuality and "adult" humour in children's film. [2022]
Geraghty, Lincoln: Star Wars, children's film culture, and fan paratexts. [2022]
Hornmoen, Harald: Hagvar, Yngve Benestad: Hyde-Clarke, Nathalie: Fonn, Birgitte Kjos: Stuedahl, Dagny: Media narratives, agonistic deliberation, and Skam. An analysis of how young people communicate in digital spaces. [2022]
Schipper, Hilke: Beautiful suffering? An analysis of young people's narratives of their experiences with mental illness on TikTok. [2022]
Hebben, Kim Carina: Spiel in Serie. Black Mirror: Bandersnatch. [2021]
Wehmeier, Henrik: Postapokalyptische Adoleszenz - The End of the F***ing World. [2020]
MacAllister, Matthew P.: LaGroue, Jared: "Hey, kids. Who wants a shot from the merch gun?!": LEGO Batman as a gateway commodity intertext. [2019]
Hermansson, Casie (Hrsg.): Zepernick, Janet (Hrsg.): The Palgrave handbook of children's film and television. [2019]
Hains, Rebecca C. (Hrsg.): Mazzarella, Sharon R. (Hrsg.): Cultural studies of LEGO. More than just bricks. [2019]
MacCallum, Robyn: Adaptations for young audiences: Critical challenges, future directions. [2019]
Hermansson, Casie: Easy A(daptation): Sex, fidelity, and constructing the unknowing-knowing PG-13 teen audience. [2019]
King, Sally: New shoes, old paths: Disney's Cinderella(s). [2019]
Dillon, Jade: Reimagining Alice through the intertextual realm of children's film and television. [2019]
Brown, Noel: Change and continuity in contemporary children's cinema. [2019]
Tan, Fengxia: Xiang, Lidong: Dancing in reality: Imagery narration and Chinese children's film in the New Millennium. [2019]
Stemmann, Anna: Erzaehlende Steine. LEGO BATMAN MOVIE und das Seriengedaechtnis. [2019]
Daewes, Birgit: Metaphysics, myth and meaning. True Detective. [2017]
Partain, Laura: Best of both worlds or refusal to comply? The Rich Kids of Tehran on Instagram. [2017]
Lovelock, Michael: Catching a catfish: Constructing the "good" social media user in reality television. [2017]
Borsy, Natalie: "Welcome to the real world, Princess." Die parodistische De- und Rekonstruktion des Disney-Prinzessinnenfilms in Enchanted. [2017]
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