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Ergebnisse:
Hodge, Andrew Patrick: The art of change over time: Analyzing alternative production pathways in animated television. [2023]
Bunch, Ryan: Screen adaptions of The Wizard of Oz and metafilmicity in children's film. [2022]
Summers, Sam: Intertextuality and "adult" humour in children's film. [2022]
Alonso-Recarte, Claudia: Ramos-Gay, Ignacio: Real animals and the problem of anthropomorphism in children's film. [2022]
Kraemer, Peter: The Walt Disney Company, family entertainment, and Hollywood's global hits. [2022]
Antunes, Filipa: Hollywood, regulation, and the "disappearing" children's film. [2022]
Baruah: Sabyasachee: Bose, Digbalay: Conroy, Meredith: Narayanan, Shrikanth S.: Ricco, Susanna: u.a.: See it, be it: What families are watching on TV. [2022]
Hallenberger, Gerd: Kochshows. [2022]
Heldman, Caroline: Narayanan, Shrikanth: Cooper, Rebecca: Conroy, Meredith: Cooper-Jones, Nathan: u.a.: Closing the STEM gender gap. A study of gender and STEM representations in UK family television. [2021]
Lausch, Kayti: "Tune in to the affirmative": The family channel and the politics of positive programming. [2021]
Kelsch, Jakob: Binging Family. Die Konzeption von Familie in der Video-on-Demand-Serie. [2021]
Murphy, Caryn: The trouble with teenagers and the case of Gidget. ABC and the 1960s youth market. [2020]
Pheasant-Kelly, Fran: "And then there were three". Childhood, Bewitched, and 1960s America. [2020]
Macleod, Mark: Performing adulthood. The adult-child and the child-adult in Modern Family and Roseanne. [2020]
Geal, Robert: The end of racism and the last family. The Cosby Shows's Fukuyaman neo-liberal children. [2020]
Chandler, Emily: Bob's Burgers. Rewriting the rules for girlhood in American television. [2020]
Schober, Adrian (Hrsg.): Olson, Debbie (Hrsg.): Children, youth, and American television. [2020]
Wolther, Irving: Musikformate im Fernsehen. [2019]
Wiedemann, Dieter: Vom Neuerfinden klassischer Maerchen durch ARD und ZDF. [2018]
Ebert, Steffi: Popcorn oder Programmkino? Der KiKA-Sendeplatz Lollywood aus einer programmanalytischen Perspektive. [2018]
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